Sway
This author is a recipient
of the Sigma Tau Delta Award
1.
Sometime between the age of 18 and 19
He began to learn a new language
Unknown previously,
Not only to himself,
But to anyone. No,
That's not quite right;
He didn't learn it
So much as it bloomed inside him
Like flowers on an aggressive vine
Choking out all else,
Or an arabesque of frost
Obscuring glass. At first
The language came
Slow and clean and pure,
Devoid of errors in grammar or spelling,
But soon its syntax became scrambled
And sought surer footing within the rambling stream
Of time, and it's pronouns and
Point of view shifted like sidewinder tracks through wind-driven
Sand. Heat radiated in waves. Tongues struggled
To keep up, as did pens.
He mumbled or shouted with equal frequency,
Doing nothing in between. He talked in his sleep,
While in his dreams, he remained silent.
2.
Once again
The silence forms a song
And the boastful fall splash of color
Arrives along with somber rains
Aching grays
Motionless blacks of clouds.
Lethargic and without pretense
We clog the streets
Dressed in dull green coats
As if thick brush
Taking root in the merciless concrete,
Signal lights blinking discordant red,
Street Lights flickering.
Take my hand
As if trying to lead me.
Take my hand
As if holding on
For dear life.
3.
Navigating with muscle memory they move slow and sure across the I-74 bridge over muddy water thick and syrupy, its smell, that of dead fish, stunted by the cold. The new arches of the bridge rise, a steel cat stretching, as muscular and tense as the opening dusk. Bats twitch and flit through soft halos chasing the last of this year's bugs. A lone deer considers not her chances of crossing safely. The tires hum monotonously on the road, percussion without rhythm. From the stereo the Stones preach, Sway holy and profane, sacred and sacrificial. Trees are flaking blood rust. There's a smudge of muscle, blood and gristle on the pavement. The smudge of a life gone.
4.
As if
The clanging of the warning bells
Triggered by the passing train
Were a starting signal,
He took off walking,
Moving in the opposite direction as the train,
Carrying nothing with him.
Nothing at all
But the language which blew through him
Like a fierce wind. The language, he finally realized,
Wasn't new at all;
It had existed even before the angry wreckage of
The universe was sculpted by the sure, swift hands
Of gravity into this whirling, abstract mess,
Was used to speak it into existence.
5.
Sometimes he imagines
The birds
Suspended
There
A split
second
before the blast,
And then,
The wall of air
Pushes them upwards
Just before
They burst into flames.
There are other
Larger fires in the distance
Coughing smoke that clogs the extremities of the city.
Meteors or missiles, it matters not.
The earth smolders.
Fragments of time
Are shook loose by
Magnificent blue-eyed angels.
Buildings
Flash bright
And collapse,
Rivers disappear in clouds of steam,
Snake-hissing as they go.
He sits watching
Because there's nothing else to be done.
His body shakes
From crying. His head aches.
The earth burns in cremation or creation;
It matters not. Possibly, it is both.
His tongue is silent, and then he begins to sing.
ABOUT THE AUTHOR
David Dowell was born in a brackish backwater of the Milky Way Galaxy. After wandering for quite some time, he currently resides with his fiance in Kewanee, Illinois, where he receives dictation from someone who “is not the ghost of Magritte.” He has been published several times in Quercus and has also published two books: Folk Songs of the Sixth Great Extinction Event and The Martyrs Can Barely Keep Up With the Demand. He is currently working on his MSW degree and a novel.